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Theses from 2018

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T.S. Eliot, "The Waste Land", and Yoga Philosophy, Jessica Cloud

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Unlonely: A Collection of Short and Nonfiction, Mary Karnes

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Blazing Worlds, Bethany Kinney

Theses from 2017

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Exploitation of Land and Labor in Appalachia: The Manipulation of Men in Ann Pancake's Strange as this Weather Has Been, Britani W. Baker

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Women in Predicaments, Jillian Rochelle Etheridge

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A Close Encounter with Death: Narration in Markus Zusak's The Book Thief, Erin M. Gipson

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Unreliable Narrations: Life and Trauma in a Queer Female Body, Leah Beth Johnston

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Comfort Habits, Stephanie L. Phillips

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"And a sad ditty of this story born": Regeneration through Decay in John Keats's Isabella, Erica Van Schaik

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"There was No Sign of Man in It": Casting Dracula as Posthuman and Valuing the Progressive Vampire, Mary Elizabeth Wolverton

Theses from 2016

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Decolonizing the YA North: Environmental Injustice in Sherri L. Smith’s Orleans, Micah-Jade M. Coleman

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"Too Big to Swallow All at Once": Consumption and Posthuman Healing in Ceremony and House Made of Dawn, Matthew Thomas Craft

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Crafting Iron and Other Stories, Bryana Michelle Fern

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The Poet's Corpus: Memory and Monumentality in Wilfred Owen's "The Show", Charles Hunter Joplin

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The Scripture of Helices, Jessica M. Ramer

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"Your Reclamation”: The Gothic Child and Moral Restoration in Charles Dickens’s A Christmas Carol, Ashten Roberts

Theses from 2015

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Staging Sex or Fighting Foreignness? Marlowe's Edward II as Xenophobic Drama, James D. Baker

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Looker: Stories, George Robert Hargett

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"Equal Partners in Crime": Narration in The Brief Wondrous Life of Oscar Wao, Rebecca Mae Holder

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The Self-(un)Made Mother: Jungian Archetypes in Dickens's Little Dorrit, William David Love Jr.

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Achieving Relationships, Frederick C. Melancon

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A Poetic Poioumenon: Coterie and Ekphrasis in David Lehman's "The Breeders' Cup", Anna Beth Rowe

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Another Word for Autumn and Other Stories, Henry Burgard Shepard III

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Excerpts from Television's Greatest Hits and Other Stories, Zachary Stephen Williams

Theses from 2014

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Stories, Garrett Alden Ashley

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[Blip] and Other Noises, Jennifer Jacob Brown

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Nine Exits: A Collection of Short Stories, Tracie Renée Dawson

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Fear of the Colonized Other in Richard Marsh's The Beetle, Kelsie Leigh Dove

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The Queer Gothic Hero's Journey in Oscar Wilde's The Picture of Dorian Gray, Kyle Leon Ethridge

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Haunted to Death: Subverting Genre and Reader Expectations in Lewis Carroll's Phantasmagoria, Elissa Anne Graeser

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Refocusing Ecocriticism: Going Deep with Walker Percy's The Moviegoer, Ivan Anderson Philippoff

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Southern Hospitality: A Mississippi Twilight, Pyran Sand Taylor

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Collected Short Stories, Arthur Ross Walton

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Because a Fire, A Lover's Quarrel: Poems, Clifton Clyde Ward

Theses from 2013

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Hope for Better Things, Nicholas William Benca

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Why I Killed the Draft Horse: The Golden Bough, Robert Frost, and "Progress", Eugene Charles McGregor Boyle III

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Sandcastles in the Sand: Liminality at the Seashore in Carolyn Wells's Marjorie at Seacote, Olivia Jeanne Bushardt

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Solving the World's Problems: Walker Percy's Cultural Critique in Love in the Ruins, Jeremy Ryan Gibbs

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Scenic City, Joshua Michael Johnson

From Individual Trauma to Global Healing: An Ecopsychological Reading of Leslie Marmon Silko's Ceremony, Sarah Marie Taylor

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Melancholia & Metaphor in Kazuo Ishiguro's The Remains of the Day, Kristin Lasheaú Teston

Theses from 2012

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"Where the Deepening Thunders Call": Voice in Herman Melville's Battle-Pieces and Aspects of the War, Loren Percy Bishop

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What Doesn't Count and Other Short Stories, Jennifer Jill Brewington

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A Bloody Yesteryear and a Brighter Tomorrow: Late Cold War Anti-Heroes in the 1980s Graphic Novels of Alan Moore and Frank Miller, Jeremy Andrew DeFatta

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"Bloom In the Moonshine": Imagination As Liberation In Anne of Green Gables, Paige M. Gray

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Photo-Poetics: Photographic Narratives in the New Journalism, John David Hosemann Jr.

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No One Really Knows You, Andrew Charles Rhodes

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"We Need the Storm, the Whirlwind, the Earthquake": The Intersection of Language and Violence in Nat Turner's "Confessions" and Frederick Douglass's My Bondage and My Freedom, Allison L. Tharp

Theses from 2011

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A Significant Wave, Frederick Darrell Clarke

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I Don't Know Why You Say Goodbye, I Say Hello: Concepts of Place in Eudora Welty's The Optimist's Daughter and Elizabeth Bowen's The Death of the Heart, Emily Frances Cooley

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A Study of the Early American Author Judith Sargent Murray, Her Role in Early American Print Culture and Her Misappropriation by Twentieth-Century Feminism, Robert Allen Fowler

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A Way In, Laura Elizabeth Goldstein

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Sham City, Evan Samuel Harrison

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Everyone is Moving: A Collection of Short Fiction and Nonfiction, Elizabeth Anne Hegwood

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Electricity and Other Dreams, Micah Dean Hicks

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Metaphasia: Shelley and the Language of Remoter Worlds, Michael Andrew Howell

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Metaphasia: Shelley and the Language of Remoter Worlds, Michael Andrew Howell

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All the Good in the World, Alan Ellis Purdie

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Judith and the Head of Holofernes and Other Love Stories, Melanie Smith Todd

Theses from 2010

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"For Such is a Friend Now": Reflection and Revision in Shakespeare's Comic Friendships, Leah Rainell Boudreaux

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"Civilized My Syphilized Yarbles": Culture, Economy, and Deviant Youth Subcultures in Anthony Burgess' A Clockwork Orange, Emily Joy Carpenter

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Antrim to Ayrshire, Eric Jude Hatcher

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Disappointing Shades, Ann Shivers McNair