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Theses from 2022

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“Though She Be But Little She is Fierce”: Playing Hermia on the Virtual Stage, Taylor Alleman

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"To Control a Human Destiny:" Sound Design for Henrik Ibsen's Hedda Gabler, Allison Bucher

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Once in a Lifetime: Designing Hair and Makeup for the Era of Sound, Olga Goupalova

Theses from 2021

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Echoes of the Past: A New Play, Cayson Miles

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When I Grow Up: Intimacy Work and Collegiate Theatre, Anna-Carson Tyner

Theses from 2020

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“More Beautiful Than God!”: Hair and Makeup Design for Eugene O’Neill’s Ah, Wilderness, Jackson L. Jones

Theses from 2019

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Three Forms of Death in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones, Sloan Garner

Theses from 2018

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The Art of the Dress: How Getting Into Costume Affects an Actor’s Self-Perception, Ella Embry

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The Examination of a Magic Show in Its Past, Current, and Future Forms Based Around a Recorded Performance Before a Live Audience, Armory Hermetz

Theses from 2017

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Autobiography and Authenticity: Writing Are You Sure?: Experiences of a Gay Foster Youth, Zachary A. Clein

Theses from 2015

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An Outsider Amongst Outsiders: Psychosocial Impact of The Devil’s Backbone, The Orphanage, and Mama, Abigail M. Cathcart

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Exhuming Ophelia: A Feminist, Costume Design Exploration, Shelby M. Gable

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Into the Willows: The Creation of Properties for the University of Southern Mississippi Production of The Wind in the Willows, Lindsey N. Kelley

Theses from 2012

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Playing Echo in Eleemosynary: A Creative Thesis Project, Hayley Barnes

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So Please You: A Creative Project on Playing “Oswald” in King Lear, Darren Hayes