Date of Award
8-2024
Degree Type
Dissertation/Thesis
Degree Name
Doctor of Musical Arts (DMA)
School
Music
Committee Chair
Dr. Kimberley Davis
Committee Chair School
Music
Committee Member 2
Dr. Joseph Brumbeloe
Committee Member 2 School
Music
Committee Member 3
Dr. J. Taylor Hightower
Committee Member 3 School
Music
Committee Member 4
Dr. Jonathan Yarrington
Committee Member 4 School
Music
Committee Member 5
Dr. Edward Hafer
Committee Member 5 School
Music
Abstract
Women of the Windrush, composed by Shirley J. Thompson, is a mono-opera for soprano, film, and chamber orchestra. Thompson uses Women of the Windrush to rewrite history and effect change in the way women are portrayed in opera—from weak characters to heroic figures. A prolific composer of pure originality, Thompson has made her music accessible through written compositions and successful performances. As one of the leading composers in England, Thompson is progressively recognized for her contributions to the body of music literature, nationally and internationally. This doctoral project seeks to promote women composers and undertakes the significant contributions of a pioneering composer, Shirley J. Thompson.
The project provides biographical information on the composer, discusses her compositional style and influences, gives details on the social context and history of Women of the Windrush, and an interpretation of its text and music. Alongside examining the music and text, performance recommendations on characterization, use of language, and vocal delivery are provided. The overall intention of this doctoral project is to guide readers, especially curious musicians, in learning, teaching, and performing Women of the Windrush.
Copyright
Danielle Rosann Watson, 2024
Recommended Citation
Watson, Danielle Rosann, "Out of Many, One Voice: A Fundamental Map to Performing Shirley J. Thompson's Opera—Women of the Windrush" (2024). Doctoral Projects. 253.
https://aquila.usm.edu/dnp_capstone/253