Movement as a Way of Knowing Earth: An Ecosomatic Approach to Developing Movement Choices, Brittany Tolbert
Honors Theses

"To Control a Human Destiny:" Sound Design for Henrik Ibsen's Hedda Gabler, Allison Bucher
Honors Theses

“Though She Be But Little She is Fierce”: Playing Hermia on the Virtual Stage, Taylor Alleman
Honors Theses

Self-Efficacy Development in Elementary-aged Learners through Dance as an Algorithmic Thinking Tool, Niva Shrestha
Honors Theses

Once in a Lifetime: Designing Hair and Makeup for the Era of Sound, Olga Goupalova
Honors Theses

When I Grow Up: Intimacy Work and Collegiate Theatre, Anna-Carson Tyner
Honors Theses

Echoes of the Past: A New Play, Cayson Miles
Honors Theses

“More Beautiful Than God!”: Hair and Makeup Design for Eugene O’Neill’s Ah, Wilderness, Jackson L. Jones
Honors Theses

Three Forms of Death in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones, Sloan Garner
Honors Theses

The Challenges and Limitations of Adapting Mozart's Così fan tutte for a Small University Setting, Christopher Lovely
Dissertations

The Art of the Dress: How Getting Into Costume Affects an Actor’s Self-Perception, Ella Embry
Honors Theses

Male Belting: An Exploration of Technique and Style From 1967 to Current, Bruce Earnest
Dissertations

The Examination of a Magic Show in Its Past, Current, and Future Forms Based Around a Recorded Performance Before a Live Audience, Armory Hermetz
Honors Theses

Autobiography and Authenticity: Writing Are You Sure?: Experiences of a Gay Foster Youth, Zachary A. Clein
Honors Theses

Books and Bodies: A Collaborative Process between Dance and Literature, Sarah Dexter Givens
Honors Theses

Dichotomy: A Creative Exercise in Theming Artistic and Emotional Dance Around Scientific Fitness Principles, John P. Davenport
Honors Theses

Choral Theatre, Albert Joseph Wolfe Jr.
Dissertations

Into the Willows: The Creation of Properties for the University of Southern Mississippi Production of The Wind in the Willows, Lindsey N. Kelley
Honors Theses

An Outsider Amongst Outsiders: Psychosocial Impact of The Devil’s Backbone, The Orphanage, and Mama, Abigail M. Cathcart
Honors Theses

Exhuming Ophelia: A Feminist, Costume Design Exploration, Shelby M. Gable
Honors Theses

Environments For Self-Learning, Kelly Ferris Lester
Faculty Publications

A Document in Death and Madness: A Cultural and Interdisciplinary Study of Nineteenth-Century Art Song Settings on the Death of Opelia, Jennifer Leigh Tipton
Dissertations

DANCE 2050: The Future of Dance in Higher Education, Susan McGreevy-Nichols, Kelly Ferris Lester, Missy Pfohl Smith
Faculty Publications

Life, Love, and Hegemony on Daytime TV: A Critical Analysis of Three Popular Soap Operas, Elizabeth Ann Worden
Dissertations

The Merry Wives of Windsor, M. Tyler Sasser
Faculty Publications

So Please You: A Creative Project on Playing “Oswald” in King Lear, Darren Hayes
Honors Theses

A Scenographic Transposition from the Stage to the Screen: An Excavation of Tennessee Williams’ A Streetcar Named Desire, Jordan Randall
Honors Theses

Playing Echo in Eleemosynary: A Creative Thesis Project, Hayley Barnes
Honors Theses

Moral Performances: Melodrama and Nineteenth-Century American Literature, Jeffrey Taylor Pusch
Dissertations

Recasting Genre in Tennessee Williams's Apprentice Plays, Christina Ilona Hunter
Dissertations

Rhetoric with Humor: An Analysis of Hispanic/Latino Comedians' Uses of Humor, George Pacheco Jr.
Dissertations

Revisiting 'Funnyhouse': An Interview With Billie Allen, Philip C. Kolin, Billie Allen
Faculty Publications

Narrative Loss and the Melancholic Reader of Johnny Tremain, Eric Tribunella
Faculty Publications

Agitated States: Performance in the American Theater of Cruelty, Jodi Kanter
Faculty Publications

The History of Southern Drama, William Scott Simkins
Faculty Publications

Comedies Useful: A History of the American Theatre in the South, 1775-1812, William Scott Simkins
Faculty Publications

Contemporary African American Theater: Afrocentricity in the Works of Larry Neal, Amiri Baraka, and Charles Fuller, Juliana Makuchi Nfath-Abbenyi
Faculty Publications

"Nor in Fading Silks Compose": Sewing, Walking, and Poetic Labor in "Aurora Leigh", Anne D. Wallace
Faculty Publications

Orpheus Ascending: Music, Race, and Gender in Adrienne Kennedy's "She Talks to Beethoven", Philip C. Kolin
Faculty Publications

The Mexican Premiere of Tennessee Williams's A Streetcar Named Desire, Philip C. Kolin
Faculty Publications

An Interview with Whitney J. Leblanc, Philip C. Kolin, Whitney J. LeBlanc
Faculty Publications