Date of Award
Spring 5-2018
Degree Type
Dissertation
Degree Name
Doctor of Philosophy (PhD)
Department
Mass Communication and Journalism
School
Communication
Committee Chair
Christopher Campbell
Committee Chair Department
Mass Communication and Journalism
Committee Member 2
Phillip Gentile
Committee Member 2 Department
Mass Communication and Journalism
Committee Member 3
Tammy Greer
Committee Member 3 Department
Psychology
Committee Member 4
Cheryl Jenkins
Committee Member 4 Department
Mass Communication and Journalism
Committee Member 5
Fei Xue
Committee Member 5 Department
Mass Communication and Journalism
Abstract
For hundreds of years, Native Americans have been characters in American media. For most of those years, whites determined the way in which Native Americans were represented. First in print, radio, silent movies and later talkies and television, representations of Native Americans have included being uneducated sidekicks, savages, noble savages seeking to steal white women, drunken idiots, or hilarious jesters all for the entertainment of viewers. This troublesome history of negative depictions of Native Americans is the reason this research is directed at the films by Native American writer and filmmaker Sherman Alexie. This research is a qualitative analysis of two of Alexie's films striving to analyze his work as a Native American filmmaker in relation to themes and representations found in films made by non-Natives depicting Native American characters and culture
ORCID ID
0000-0002-9828-8334
Copyright
2018, Tara P. McCrink Burcham
Recommended Citation
McCrink Burcham, Tara P., "The Postmodern Indian: Representation and the Films of Sherman Alexie" (2018). Dissertations. 1534.
https://aquila.usm.edu/dissertations/1534
Included in
Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Indigenous Studies Commons, Other Film and Media Studies Commons