Baldwin and the Role of the Citizen Artist

Document Type

Article

Publication Date

9-27-2022

Department

English

School

Humanities

Abstract

Using political and critical theory, this article identifies in James Baldwin a model for citizenship unique to the Black artist who assumed the dual responsibilities of art practice and political activism. I engage with Barldwin's fiction and his writing about other Black artists working in theater, film, dance, and musc during the period of the civil rights movement. Across his career, Baldwin's prevailing view was that, because of their history, Black artists have the singular, and indeed superlative capacity to make art as praxis. Baldwin explains that the craft of the Black artist depends upon representing truths, rather than fantasies, about their experience, so that they are at once artists pursuing freedom and citizenspursuing justice. This article pays particular attention to the tension between living a public, political life and the need for privacy to create art, and ultimately the toll this takes on the citizen artist. Baldwin demonstrates how the community of mutual support he finds among Black artists aids in their survival. In his writings on Sidney Poitier and Lorraine Hansberry, his friendships with Beauford Delaney and Josephine Baker, as well as his reviews of music and literature, Baldwin assembles a collective he refers to as "I and my tribe."

Publication Title

James Baldwin Review

Volume

8

Issue

1

First Page

108

Last Page

128

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