Date of Award

Spring 2026

Degree Type

Honors College Thesis

Academic Program

English BA

Department

English

First Advisor

Dr. Kate Cochran

Advisor Department

English

Abstract

When looking back on the most beloved, yet infamous, villains of popular culture, one can note an abundant rise of prequels and backstory-driven media exploring the paths that villain characters take that lead them to their tragic fall. Some of those stories include John M. Chu’s Wicked, George Lucas’s Star Wars: Episode III: Revenge of the Sith, and Chen Jialin and Zheng Weiwin’s The Untamed, each of which explores protagonists who are labeled as “wicked” and depicted as fallen to the “dark side.” While these characters are often studied in existing literary research, there have yet to be explicit ties made to one of the most long-lived and well-known “fall” stories of all time: the Greek myth of Icarus. Within this mythological framework, characters Elphaba Thropp, Anakin Skywalker, and Wei Wuxian’s descent into shadow and argues that the villains’ Icarian downfalls are as social as they are literal. Through the process of villainization, they become more concentrated, silhouette-versions of themselves. I analyze how these characters’ nonconformist and emotional dispositions complicate our understanding of strict binaries of good and evil. By drawing comparisons between these characters and the Icarus figure, as well as utilizing Carl Jung’s concept of the shadow self, we can begin to understand how villainy is defined in literary worlds, as well as within our current society.

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