Date of Award

5-2026

Degree Type

Masters Thesis

Degree Name

Master of Arts (MA)

School

Humanities

Committee Chair

Alexandra Valint

Committee Chair School

Humanities

Committee Member 2

Ery Shin

Committee Member 2 School

Humanities

Committee Member 3

Nicolle Jordan

Committee Member 3 School

Humanities

Abstract

During the fin de siècle, fears of degeneration of the human species pervaded society, science, and literature, including Bram Stoker’s Dracula. Previous scholarship has pointed out the influence of contemporary degeneration and criminological theory on the vampire characters, specifically Dracula. This paper looks at how these same theories are shown in the character R.M. Renfield, a patient in Dr. Seward’s mental asylum. Previous scholars have established that the novel uses the language of degeneration for Renfield. However, by comparing Renfield to both the humans and the vampire characters, I argue that Renfield is neither totally degenerated to the level of vampires nor as fully evolved to the level of humans, instead holding a stepping stone spot between these two species. Because of Renfield’s liminal position, his character is often complex and shifting. I argue that towards the end of the novel, Renfield actively regenerates back to humanity as evidenced by his return to sanity, embodying hope in the face of the crisis of degeneration which is mirrored in Mina’s later salvation from devolving into a vampire.

Available for download on Friday, May 14, 2275

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