Submissions from 2001
Doris Lessing: A Biography, Christopher L. Reese
Ray Bradbury: A Critical Companion, Christopher L. Reese
Textual Formations and Reformations, Michael N. Salda
Considering Possession in "The Scarlet Letter", Ellen M. Weinauer
Contemporary Poets on Poetry: Introduction, Eric M. Williamson
Submissions from 2000
Our Tigers, Angela S. Ball
Annotated Bibliography of Research in the Teaching of English, Deborah Brown, Judith Kalman, Wayne Martino, Gert Rijlaarsdam, Anne D'Antonio Stinson, and Melissa E. Whiting
Annotated Bibliography of Research in the Teaching of English, Deborah Brown, Wayne Martino, Gert Rijlaarsdam, Anne D'Antonio Stinson, and Melissa E. Whiting
Coming into Communion: Pastoral Dialogues in Colonial New England, Tamara Harvey
Now-Sisters-Impart-Your-Usefulnesse-and-Force' - Anne Bradstreet's Feminist Functionalism in The 'Tenth Muse' (1650), Tamara Harvey
Greene's "The Destructors", Philip C. Kolin
Mr. Peters' Connections, Philip C. Kolin
Othello and Interpretive Traditions, Philip C. Kolin
Spring Storm, Philip C. Kolin
Stairs to the Roof, Philip C. Kolin
Williams's "The Frosted Glass Coffin", Philip C. Kolin
Pleiade, Faulkner, Novels, Vol 2, 'Lumiere d'Aout', 'Pylone', 'Absalon, Absalon!', Les 'Invancus', Noel Polk
Bad Girls and Sick Boys: Fantasies in Contemporary Art and Culture, Hugh E.L. Rozelle
L' Armoire Aux Secrets, Terri Smith Ruckel
Electronic Text: Investigations in Method and Theory, Michael N. Salda
Romanticism On the Road: The Marginal Gains of Wordsworth's Homeless, Anne D. Wallace
Submissions from 1999
Snowcone, D.C. Berry
Stopping At The Cemetery On Valentine's Day, D.C. Berry
Annotated Bibliography of Research in the Teaching of English, Deborah Brown, Wayne Martino, Gert Rijlaarsdam, Anne D'Antonio Stinson, and Melissa E. Whiting
Annotated Bibliography of Research in the Teaching of English, Deborah Brown, Wayne Martino, Gert Rijlaarsdam, Anne D'Antonio Stinson, and Melissa E. Whiting
Lost in a Sea of Words: Tennessee Williams's 'Lifeboat Drill', Philip C. Kolin
Roland Barthes, Tennessee Williams and A Streetcar Named Pleasure/Desire, Philip C. Kolin
The Correspondence of Shelby Foote and Walker Percy, N Polk
Eudora Welty and Virginia Woolf: Gender, Genre, and Influence, Noel Polk
"How the negros [sic] became McCaslins too…" - A new Faulkner letter, Noel Polk
Wising Up the Marks: The Amodern William Burroughs, Hugh E.L. Rozelle
Submissions from 1998
An Attempt, Angela S. Ball
Nadezhda, Angela S. Ball
Annotated Bibliography of Research in the Teaching of English, Deborah Brown, Richard L. Larson, and Melissa E. Whiting
Annotated Bibliography of Research in the Teaching of English, Deborah Brown, Melissa Whiting, and Richard L. Larson
Testify, M Burns
Reviewed Work: Éléments d'analyse du discours by Georges-Elia Sarfati, Jean-Louis P. Dassier
Narrative Legerdemain: Evoking Sarty's Future in 'Barn Burning', Marilyn Claire Ford
Taken From Her Mouth: Narrative Authority and the Conversion of Patience Boston, Tamara Harvey
Charlotte Capers, Tennessee Williams and the Mississippi premiere of "A Streetcar Named Desire", Philip C. Kolin
Tennessee Williams, 'Not About Nightingales', Philip C. Kolin
Willy's Birthday, Philip C. Kolin
Death of a Salesman: A Playwrights' Forum, Philip C. Kolin, Edward Albee, Robert Anderson, and Kenneth Bernard
Christian Plain Style: The Evolution of a Spiritual Ideal, Jameela A. Lares
Sir Henry Vane, Theologian: A Study in Seventeenth-Century Religious and Political Discourse, Jameela A. Lares
Finnegans Wake', Colonial Nonsense, and Postcolonial History (James Joyce), Michael Mays
Interview with Lee Smith, May 18, 1997, Charline R. McCord
Interview with Ellen Douglas: February 25, 1997, Charline R. McCord and Ellen Douglas
Taylor's The 'Old Forest', C. Vincent Samarco
Mastering Slavery: Memory, Family, and Identity in Women's Slave Narratives, Ellen M. Weinauer
Submissions from 1997
At Home In the Margins: The Jewish American Voice Poem in the 1990s, Jonathan N. Barron
Grandfather, D.C. Berry
Annotated Bibliography of Research in the Teaching of English, Deborah Brown, Richard L. Larson, and Melissa Whiting
It's Only a Paper Moon: The Paper Ontologies in Tennessee Williams's "A Streetcar Named Desire", Philip C. Kolin
Shakespeare's "The Comedy of Errors", Philip C. Kolin
Paradise Lost', Books XI and XII, and the Homiletic Tradition (John Milton), Jameela A. Lares
Yeats and the Economics of 'Excess' (Irish Poetry, Politics, Revolution), Michael Mays
Welty, Hawthorne, and Poe: Men of the Crowd and the Landscape of Alienation, Noel Polk
Robert Olen Butler's Vietnam Veterans: Strangers in an Alien Home, Maureen A. Ryan
Orlando Furioso in Milton + Ariosto: Heroic Flights and True Heroines, James H. Sims
Romantic Vagrancy: Wordsworth and the Simulation of Freedom, A.D. Wallace
"Nor in Fading Silks Compose": Sewing, Walking, and Poetic Labor in "Aurora Leigh", Anne D. Wallace
Alternative Economies: Authorship and Ownership in Elizabeth Stoddard's 'Collected by a Valetudinarian', Ellen M. Weinauer
Plagiarism and the Proprietary Self: Policing the Boundaries of Authorship in Herman Melville's 'Hawthorne and His Mosses', Ellen M. Weinauer
Submissions from 1996
Sailboat, D.C. Berry
Today's PMLA + Journal Articles, Academic Rank, Thomas C. Green and Larry R. Islitt
Civil Rights and the Black Presence in "Baby Doll", Philip C. Kolin
The Healer, Makuchi
Jesus and Satan as Readers of Scripture in 'Paradise Regained' (John Milton), James H. Sims
Shakespeare's Christian Dimension: An Anthology of Commentary, James H. Sims
Submissions from 1995
Painted Desert' + Socorro, Adapted From the Novel, Frederick Barthelme
The Big Room, Frederick Barthelme
An Unpublished Note From Pope to Orrery, Lord, Joao Froes
Opera in America, A Cultural History - Dizikes, J, Stanley R. Hauer
No Masterpiece Has Been Overlooked: The Early Reception and Significance of Tennessee Williams's "Big Black - A Mississippi Idyll", Philip C. Kolin
The Japanese Premiere of "A Streetcar Named Desire", Philip C. Kolin
Barbara Kingsolver's Lowfat Fiction, Maureen A. Ryan
Displacing Feminine Authority in The Faerie Queene, Marie Villeponteaux
The Postmodern Detective: The Aesthetic Politics of Hammett, Dashiell 'Continental OP', Edward M. Wheat
Submissions from 1994
Marina Lounge, D.C. Berry
Cigarette, DC Berry
Undergraduate Technical and Professional Writing Porgrams: A Question of Status, Donald H. Cunningham and Jeanette G. Harris
Faulkner's The Sound and the Fury, Gene Fant Jr.
"Cruelty… and Sweaty Intimacy": The Reception of the Spanish Premiere of 'A Streetcar Named Desire', Philip C. Kolin
Modern American Drama, 1945-1990, Philip C. Kolin
"Night, Mistuh Charlie": The Porter in Tennessee Williams's "The Last of My Solid Gold Watches" and the Kairos of Negritude, Philip C. Kolin
Orpheus Ascending: Music, Race, and Gender in Adrienne Kennedy's "She Talks to Beethoven", Philip C. Kolin
The Mexican Premiere of Tennessee Williams's A Streetcar Named Desire, Philip C. Kolin
The Other Side of Grief, American Women Writers and the Vietnam War, Maureen A. Ryan
Milton's Wisdom: Nature and Scripture in "Paradise Lost", James H. Sims
Submissions from 1993
Rethinking Writing - Kuriloff, PC, Evelyn Ashton-Jones
Chasse, Angela S. Ball
Tennessee Williams & Elia Kazan: A Collaboration in the Theatre, Philip C. Kolin
Tennessee Williams Sends His Autobiography to Mexico, Philip C. Kolin
Women's Challenge to Higher Education, Maureen A. Ryan
`So easy to be lost': Poet and Self in Pope's The Temple of Fame, David Wheeler
Submissions from 1992
Captain Cook, Angela S. Ball
Gulfport Lover's Confusion, D.C. Berry