Theses from 2022
“Though She Be But Little She is Fierce”: Playing Hermia on the Virtual Stage, Taylor Alleman
"To Control a Human Destiny:" Sound Design for Henrik Ibsen's Hedda Gabler, Allison Bucher
Once in a Lifetime: Designing Hair and Makeup for the Era of Sound, Olga Goupalova
Theses from 2021
Echoes of the Past: A New Play, Cayson Miles
When I Grow Up: Intimacy Work and Collegiate Theatre, Anna-Carson Tyner
Theses from 2020
“More Beautiful Than God!”: Hair and Makeup Design for Eugene O’Neill’s Ah, Wilderness, Jackson L. Jones
Theses from 2019
Three Forms of Death in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones, Sloan Garner
Theses from 2018
The Art of the Dress: How Getting Into Costume Affects an Actor’s Self-Perception, Ella Embry
The Examination of a Magic Show in Its Past, Current, and Future Forms Based Around a Recorded Performance Before a Live Audience, Armory Hermetz
Theses from 2017
Autobiography and Authenticity: Writing Are You Sure?: Experiences of a Gay Foster Youth, Zachary A. Clein
Theses from 2015
An Outsider Amongst Outsiders: Psychosocial Impact of The Devil’s Backbone, The Orphanage, and Mama, Abigail M. Cathcart
Exhuming Ophelia: A Feminist, Costume Design Exploration, Shelby M. Gable
Into the Willows: The Creation of Properties for the University of Southern Mississippi Production of The Wind in the Willows, Lindsey N. Kelley
Theses from 2012
Playing Echo in Eleemosynary: A Creative Thesis Project, Hayley Barnes
So Please You: A Creative Project on Playing “Oswald” in King Lear, Darren Hayes