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Submissions from 2018

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Normal Life, Olivia Clare

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What She Has, Olivia Clare

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A Joke About How Old We've Become, Adam Clay

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"Breathe Less, and Farther Off": The Hazardous Proximity of Other Bodies in Jonson's The Alchemist, Christopher D. Foley

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Jonson's Acousti-Oriented Dramaturgy in the First Folio Playtexts of Epicoene and The Alchemist, Christopher D. Foley

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Hypnophobia, Thomas Holmes

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Long Distance Turnaround, Thomas Holmes

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Visionary Markings: Em Dashes and Ellipses in Walt Whitman's "Talbot Wilson" Notebook, Thomas Holmes

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Breaking Out of the Basic Writing Closet: Queering the Thirdspace of Composition, Joyce Inman

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Review: Milton and the Politics of Speech, Helen Lynch, Jameela A. Lares

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The Racers, Anne Sanow

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Measuring Up to Mina Loy, Charles Sumner

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LGBTQ Young Adult Fiction: A Critical Survey, 1970's-2010s, Eric L. Tribunella

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Queer Your Own Adventure, Alexandra Valint

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Undead Wives and Undone Husbands: Poe's Tales of Marriage, Ellen M. Weinauer

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Framing Wearing: Genre, Embodiment, and Exploring Wearable Technology in the Composition Classroom, Shane Wood

Submissions from 2017

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Good-Bye to Golden Nights, Adam Clay

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The Invention of English Criticism, Nicolle M. Jordan

Submissions from 2015

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War Horse, Rebecca Morgan Frank

Submissions from 2014

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Review of Stephen Bending, Green Retreats: Women, Gardens and Eighteenth-Century Culture, Nicolle Jordan

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Between Worlds: The Rhetorical Universe of Paradise Lost, Jameela Lares

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Milton and the Art of Rhetoric, Jameela Lares

Submissions from 2013

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< A > and < B >: Marks, Maps, Media, and the Materiality of Ambrose Bierce's Style, Craig Carey

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Myth and Mimetic Failure in The Remains of the Day, Monika Gehlawat

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Space, the Self, and Singularity in Le Corbusier and Christopher Isherwood, Monika Gehlawat

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Standard Issue: Public Discourse, Ayers v. Fordice, and the Dilemma of the Basic Writer, Joyce Olewski Inman

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My Friend Tom: The Poet-Playwright Tennessee Williams, Philip C. Kolin

Submissions from 2012

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Is the Government Keeping the Peace or Acting Like Our Parents? Rationales for the Legal Prohibitions of GHB and MDMA, O. Hayden Griffin III

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Three Meals: Eating Culture in Toni Morrison's Tar Baby, Cecily E. Hill

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A Review of "The Reformation of the Landscape: Religion, Identity, & Memory in Early Modern Britain and Ireland" by Alexandra Walsham, Nicolle M. Jordan

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Emmett Till Goes Skip-Stopping on the CTA, Philip C. Kolin

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Literature for Us "Older Children": Lost Girls, Seduction Fantasies, and the Reeducation of Adults, Eric L. Tribunella

Submissions from 2011

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A Creole Contagion: Narratives of Slavery and Tainted Wealth in "Millenium Hall", Nicolle M. Jordan

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A Review of The Surveyor's Dialogue (1618): A Critical Edition Edited by Mark Netzloff, Nicolle M. Jordan

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Gentlemen and Gentle Women: The Landscape Ethos in Millenium Hall, Nicolle M. Jordan

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Composing Selves: Southern Women and Autobiography, Maureen A. Ryan

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The Fortress of American Solitude: Robinson Crusoe and Antebellum Culture, Ellen M. Weinauer

Submissions from 2010

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Theory of Mind: New & Selected Poems, Angela S. Ball

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Caleb Williams, Nicolle M. Jordan

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Hollywood's Tennessee: The Williams Films and the Postwar Years, Philip C. Kolin

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Backyard Alchemy, Casualene Meyer

Submissions from 2009

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Beowulf and the Fight at Finnsburg, Stanley R. Hauer

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The Redeemer Reborn: Parsifal as the Fifth Opera of Wagner's Ring, Stanley R. Hauer

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The Wagner Clan: The Saga of Germany's Most Illustrious and Infamous Family, Stanley R. Hauer

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Winnie and Wolf, Stanley R. Hauer

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A Review of Poetry and Ecology in the Age of Milton and Marvell by Diane Kelsey McColley, Nicolle M. Jordan

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A Concise Companion to Milton, Jameela A. Lares

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Early Modern English Poetry: A Critical Companion, Joseph Navitsky

Submissions from 2008

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The 'Glass Age', Angela S. Ball

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Bernard Shaw: A Life, Damon Franke

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Joyce/Foucault: Sexual Confessions, Damon Franke

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Divas and Scholars: Performing Italian Opera, Stanley R. Hauer

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Robert Schumann: Life and Death of a Musician, Stanley R. Hauer

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The Rest Is Noise: Listening to the Twentieth Century, Stanley R. Hauer

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Wagner and the Art of the Theatre, Stanley R. Hauer

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Next to the Color Line: Gender, Sexuality, and W E. B. Du Bois, Sherita L. Johnson

Submissions from 2007

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Hardy's UR-Priestess and the Phases of a Novel (Thomas Hardy, 'Tess of the d'Urbervilles'), Damon Franke

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The Resurrection of Being in the Ricorso of Finnegans Wake, Damon Franke

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Richard Wagner and the Jews, Stanley R. Hauer

Afloat and Ashore, or the Adventures of Miles Wallingford, Luis A. Iglesias

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The Promise and Frustration of Plebeian Public Opinion in Caleb Williams, Nicolle M. Jordan

Exchange Me For a Goat: Iago's Ewes and Rams, Othello's Goats and Monkeys, and Matthew 25 : 31-45, Philip C. Kolin

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Tony Kushner: New Essays On the Art and Politics of the Plays, Philip C. Kolin

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Williams's A 'Streetcar Named Desire' (Tennessee Williams), Philip C. Kolin

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Revisiting 'Funnyhouse': An Interview With Billie Allen, Philip C. Kolin and Billie Allen

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In Search of the Holy Grail: The Quest for the Middle Ages, Michael N. Salda

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The Origin of Donne's Soul ('Traducing the Soul - Donne's Second Anniversarie', by Ramie Targoff), James H. Sims

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Institutionalizing The 'Outsiders': YA Literature, Social Class, and the American Faith In Education, Eric L. Tribunella

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Our Common Dwelling: Henry Thoreau, Transcendentalism, and the Class Politics of Nature, Ellen M. Weinauer

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Transatlantic Connections: Whitman U.S., Whitman U.K., Ellen M. Weinauer

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Writing Revolution: Aesthetics and Politics in Hawthorne, Whitman, and Thoreau, Ellen M. Weinauer

Submissions from 2006

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A Direction of One's Own: Alienation In 'Mrs. Dalloway' and 'Sula' (Toni Morrison), Lorie Watkins Fulton

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William Faulkner's Southern Knights: 'Sir Gawain and The Green Knight', Sir Galwyn of Arthgyl, and Gavin Stevens, Lorie Watkins Fulton

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Mister Paradise and Other One-Act Plays, Philip C. Kolin

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Parks's 'In the Blood', Philip C. Kolin

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Williams's The 'Municipal Abattoir', Philip C. Kolin

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Reading Lolita in Tehran: A Memoir In Books, John R. Rachal

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The Worst Arthurian Cartoon Ever, Michael N. Salda

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Narrative Loss and the Melancholic Reader of Johnny Tremain, Eric L. Tribunella

Submissions from 2005

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Deposing an American Cultural Totem: Clarice Starling and Postmodern Heroism in Thomas Harris's 'Red Dragon', The 'Silence of the Lambs', and 'Hannibal', Stephen M. Fuller

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He's a Bitch: Gender and Nature in The 'Hamlet', Lorie Watkins Fulton

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Hiding Fire and Brimstone In Lacy Groves: The Twinned Trees of 'Beloved', Lorie Watkins Fulton

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Dark Crescent', W. Lewis Garvin

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Playing Underground: A Critical History of the 1960's Off-Off-Broadway Movement, Philip C. Kolin

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Williams's 'Sand', Philip C. Kolin

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The Way He Looked Said Hush: Benjy's Mental Atrophy in The 'Sound and the Fury', Ted Roggenbuck

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Signatures of Citizenship: Petitioning, Antislavery, and Women's Political Identity, Lisa M. Vetere

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Writing Revolt In the Wake of Nat Turner: Frederick Douglass and the Construction of Black Domesticity In "the Heroic Slave", Ellen M. Weinauer

Submissions from 2004

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A Return to the Natural Through Wild Language (Thomas Wolfe), Robert J. Bartholomew III

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William Faulkner Reprised: Isolation in Toni Morrison's 'Song of Solomon', Lorie Watkins Fulton

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Pandering Caribbean Spice: The Strategic Exoticism of Robert Antoni's 'My Grandmother's Erotic Folktales', Eric D. Smith

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Jane Austen and 18th-century English Spa Culture, David Wheeler

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Poetic Identity and the Anxiety of Print in Pope's Early Career, David Wheeler

Submissions from 2003

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The 'Dress With Books On It Is Too Small', Angela S. Ball

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Tar Rolling Stones Get Up Get Down', DC Berry

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Annotated Bibliography of Research in the Teaching of English, Deborah Brown, Catherine Beavis, Judith Kalman, Macrina Gómez, Gert Rijlaarsdam, Anne D'Antonio Stinson, and Melissa E. Whiting

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'Houses', Juan Carlos Galeano and Angela S. Ball

An Unpublished Tennessee Williams to William Carlos Williams, Philip C. Kolin

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Performance Studies: An Introduction, Philip C. Kolin

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Tennessee Williams and the South, Philip C. Kolin