Submissions from 2018
Normal Life, Olivia Clare
What She Has, Olivia Clare
A Joke About How Old We've Become, Adam Clay
"Breathe Less, and Farther Off": The Hazardous Proximity of Other Bodies in Jonson's The Alchemist, Christopher D. Foley
Jonson's Acousti-Oriented Dramaturgy in the First Folio Playtexts of Epicoene and The Alchemist, Christopher D. Foley
Hypnophobia, Thomas Holmes
Long Distance Turnaround, Thomas Holmes
Visionary Markings: Em Dashes and Ellipses in Walt Whitman's "Talbot Wilson" Notebook, Thomas Holmes
Breaking Out of the Basic Writing Closet: Queering the Thirdspace of Composition, Joyce Inman
Review: Milton and the Politics of Speech, Helen Lynch, Jameela A. Lares
The Racers, Anne Sanow
Measuring Up to Mina Loy, Charles Sumner
LGBTQ Young Adult Fiction: A Critical Survey, 1970's-2010s, Eric L. Tribunella
Queer Your Own Adventure, Alexandra Valint
Undead Wives and Undone Husbands: Poe's Tales of Marriage, Ellen M. Weinauer
Framing Wearing: Genre, Embodiment, and Exploring Wearable Technology in the Composition Classroom, Shane Wood
Submissions from 2017
Good-Bye to Golden Nights, Adam Clay
The Invention of English Criticism, Nicolle M. Jordan
Submissions from 2015
War Horse, Rebecca Morgan Frank
Submissions from 2014
Review of Stephen Bending, Green Retreats: Women, Gardens and Eighteenth-Century Culture, Nicolle Jordan
Between Worlds: The Rhetorical Universe of Paradise Lost, Jameela Lares
Milton and the Art of Rhetoric, Jameela Lares
Submissions from 2013
< A > and < B >: Marks, Maps, Media, and the Materiality of Ambrose Bierce's Style, Craig Carey
Myth and Mimetic Failure in The Remains of the Day, Monika Gehlawat
Space, the Self, and Singularity in Le Corbusier and Christopher Isherwood, Monika Gehlawat
Standard Issue: Public Discourse, Ayers v. Fordice, and the Dilemma of the Basic Writer, Joyce Olewski Inman
My Friend Tom: The Poet-Playwright Tennessee Williams, Philip C. Kolin
Submissions from 2012
Is the Government Keeping the Peace or Acting Like Our Parents? Rationales for the Legal Prohibitions of GHB and MDMA, O. Hayden Griffin III
Three Meals: Eating Culture in Toni Morrison's Tar Baby, Cecily E. Hill
A Review of "The Reformation of the Landscape: Religion, Identity, & Memory in Early Modern Britain and Ireland" by Alexandra Walsham, Nicolle M. Jordan
Emmett Till Goes Skip-Stopping on the CTA, Philip C. Kolin
Literature for Us "Older Children": Lost Girls, Seduction Fantasies, and the Reeducation of Adults, Eric L. Tribunella
Submissions from 2011
A Creole Contagion: Narratives of Slavery and Tainted Wealth in "Millenium Hall", Nicolle M. Jordan
A Review of The Surveyor's Dialogue (1618): A Critical Edition Edited by Mark Netzloff, Nicolle M. Jordan
Gentlemen and Gentle Women: The Landscape Ethos in Millenium Hall, Nicolle M. Jordan
Composing Selves: Southern Women and Autobiography, Maureen A. Ryan
The Fortress of American Solitude: Robinson Crusoe and Antebellum Culture, Ellen M. Weinauer
Submissions from 2010
Theory of Mind: New & Selected Poems, Angela S. Ball
Caleb Williams, Nicolle M. Jordan
Hollywood's Tennessee: The Williams Films and the Postwar Years, Philip C. Kolin
Backyard Alchemy, Casualene Meyer
Submissions from 2009
Beowulf and the Fight at Finnsburg, Stanley R. Hauer
The Redeemer Reborn: Parsifal as the Fifth Opera of Wagner's Ring, Stanley R. Hauer
The Wagner Clan: The Saga of Germany's Most Illustrious and Infamous Family, Stanley R. Hauer
Winnie and Wolf, Stanley R. Hauer
A Review of Poetry and Ecology in the Age of Milton and Marvell by Diane Kelsey McColley, Nicolle M. Jordan
A Concise Companion to Milton, Jameela A. Lares
Early Modern English Poetry: A Critical Companion, Joseph Navitsky
Submissions from 2008
The 'Glass Age', Angela S. Ball
Bernard Shaw: A Life, Damon Franke
Joyce/Foucault: Sexual Confessions, Damon Franke
Divas and Scholars: Performing Italian Opera, Stanley R. Hauer
Robert Schumann: Life and Death of a Musician, Stanley R. Hauer
The Rest Is Noise: Listening to the Twentieth Century, Stanley R. Hauer
Wagner and the Art of the Theatre, Stanley R. Hauer
Next to the Color Line: Gender, Sexuality, and W E. B. Du Bois, Sherita L. Johnson
Submissions from 2007
Hardy's UR-Priestess and the Phases of a Novel (Thomas Hardy, 'Tess of the d'Urbervilles'), Damon Franke
The Resurrection of Being in the Ricorso of Finnegans Wake, Damon Franke
Richard Wagner and the Jews, Stanley R. Hauer
Afloat and Ashore, or the Adventures of Miles Wallingford, Luis A. Iglesias
The Promise and Frustration of Plebeian Public Opinion in Caleb Williams, Nicolle M. Jordan
Exchange Me For a Goat: Iago's Ewes and Rams, Othello's Goats and Monkeys, and Matthew 25 : 31-45, Philip C. Kolin
Tony Kushner: New Essays On the Art and Politics of the Plays, Philip C. Kolin
Williams's A 'Streetcar Named Desire' (Tennessee Williams), Philip C. Kolin
Revisiting 'Funnyhouse': An Interview With Billie Allen, Philip C. Kolin and Billie Allen
In Search of the Holy Grail: The Quest for the Middle Ages, Michael N. Salda
The Origin of Donne's Soul ('Traducing the Soul - Donne's Second Anniversarie', by Ramie Targoff), James H. Sims
Institutionalizing The 'Outsiders': YA Literature, Social Class, and the American Faith In Education, Eric L. Tribunella
Our Common Dwelling: Henry Thoreau, Transcendentalism, and the Class Politics of Nature, Ellen M. Weinauer
Transatlantic Connections: Whitman U.S., Whitman U.K., Ellen M. Weinauer
Writing Revolution: Aesthetics and Politics in Hawthorne, Whitman, and Thoreau, Ellen M. Weinauer
Submissions from 2006
A Direction of One's Own: Alienation In 'Mrs. Dalloway' and 'Sula' (Toni Morrison), Lorie Watkins Fulton
William Faulkner's Southern Knights: 'Sir Gawain and The Green Knight', Sir Galwyn of Arthgyl, and Gavin Stevens, Lorie Watkins Fulton
Mister Paradise and Other One-Act Plays, Philip C. Kolin
Parks's 'In the Blood', Philip C. Kolin
Williams's The 'Municipal Abattoir', Philip C. Kolin
Reading Lolita in Tehran: A Memoir In Books, John R. Rachal
The Worst Arthurian Cartoon Ever, Michael N. Salda
Narrative Loss and the Melancholic Reader of Johnny Tremain, Eric L. Tribunella
Submissions from 2005
Deposing an American Cultural Totem: Clarice Starling and Postmodern Heroism in Thomas Harris's 'Red Dragon', The 'Silence of the Lambs', and 'Hannibal', Stephen M. Fuller
He's a Bitch: Gender and Nature in The 'Hamlet', Lorie Watkins Fulton
Hiding Fire and Brimstone In Lacy Groves: The Twinned Trees of 'Beloved', Lorie Watkins Fulton
Dark Crescent', W. Lewis Garvin
Playing Underground: A Critical History of the 1960's Off-Off-Broadway Movement, Philip C. Kolin
Williams's 'Sand', Philip C. Kolin
The Way He Looked Said Hush: Benjy's Mental Atrophy in The 'Sound and the Fury', Ted Roggenbuck
Signatures of Citizenship: Petitioning, Antislavery, and Women's Political Identity, Lisa M. Vetere
Writing Revolt In the Wake of Nat Turner: Frederick Douglass and the Construction of Black Domesticity In "the Heroic Slave", Ellen M. Weinauer
Submissions from 2004
A Return to the Natural Through Wild Language (Thomas Wolfe), Robert J. Bartholomew III
William Faulkner Reprised: Isolation in Toni Morrison's 'Song of Solomon', Lorie Watkins Fulton
Pandering Caribbean Spice: The Strategic Exoticism of Robert Antoni's 'My Grandmother's Erotic Folktales', Eric D. Smith
Jane Austen and 18th-century English Spa Culture, David Wheeler
Poetic Identity and the Anxiety of Print in Pope's Early Career, David Wheeler
Submissions from 2003
The 'Dress With Books On It Is Too Small', Angela S. Ball
Tar Rolling Stones Get Up Get Down', DC Berry
Annotated Bibliography of Research in the Teaching of English, Deborah Brown, Catherine Beavis, Judith Kalman, Macrina Gómez, Gert Rijlaarsdam, Anne D'Antonio Stinson, and Melissa E. Whiting
'Houses', Juan Carlos Galeano and Angela S. Ball
An Unpublished Tennessee Williams to William Carlos Williams, Philip C. Kolin
Performance Studies: An Introduction, Philip C. Kolin
Tennessee Williams and the South, Philip C. Kolin